Art in the Time of Covid

I have been fortunate that my life has gone fairly smoothly during the Covid-19 crisis, despite upended expectations and uncertainty about the future. Despite it all, I have an exhibition coming up on August 8^th at RiverSea Gallery in Astoria, Oregon!

As is the case with every art show there is a lot to do, accompanied with the anxious hope that the opening will go well. Will it be well attended? Will there be any sales? But art in the time of Covid has brought these typical concerns to a new level.

Riversea Gallery has reopened with the changes that all business now require, such as masks and social distancing (fortunately it is a very large space!) But this opening is going to be like none I’ve ever had before. Attendance is impossible to predict. The normal wine and snacks will not be served. And this time there will be extra efforts made to share it all on the web. Watch for videos uploaded onto my Instagram account, maybe even Facebook live. Like so many of us, I am frantically ascending the steep learning curve of online technology!

Additionally, I will provide an artist talk, but this time it will be virtual, probably in the form of a Zoom call. I will provide a short talk on exhibit, then open the “room” up for questions.
Although the opportunity to interact in physical space will not be there, there are some terrific advantages! For one, you can participate from your home, and if you are not presentable, you can block out your video camera and still participate, grubbies and all!

I will be keeping you all apprised of links and times to participate in my newsletters, social media and on my website home page.

New Year's Evolutions

Like many of you, my year has been filled with successes and also some setbacks.

One of the upsides to my setbacks is that I have a lot more time on my hands and my life is more in balance. A balanced life is supposedly a good thing. But in the U.S., being “too busy” is a point of pride, a dysfunctional way in which we feel we are important, that we are “getting somewhere”, that we are “making progress”, that we are relevant. For many of us, being overworked and under rested is a status symbol. It gives us the illusion of success.

I'm not a person who makes New Year's resolutions, but each year at this time I do take stock of the year that was, and set intentions for the year to come. So as the old year turns and the new year dawns, I am asking myself what “success” means to me and what does it look like?

Since I do not need to make a living from my art, I have the latitude to define success anyway I like. But this fortunate circumstance creates its own pitfall.

My friend Kelly Williams often asks; “what is your fear?” Mine is to be considered a dilettante.

Merriam Webster:
Dilettante
1 : a person having a superficial interest in an art or a branch of knowledge : dabbler

My great fear is that I will not be taken seriously as an artist. This translates into a vague array of circumstances that I desire; a certain number of galleries, a certain number of shows, a certain number of sales. Ambitions that are vague and unconsidered have a funny way of driving me in ways that are often unsustainable and inappropriate to my more healthy desires and actual circumstances. So I am taking some time to evaluate my desires and create appropriate goals.

Will I actively search for more representation, or is that appropriate to my artistic output? Will I develop a technique that is quicker and less laborious, or is my slow pace of artmaking something I can indulge in, and simply adjust my expectations to be in line with it? Shall I go back into the intaglio printmaking I dipped my toe into last spring? What if I were to branch out further into woodblock printing? How would more printmaking affect my connection to my audience? Would it make my art more accessible?

These are some of the possibilities I have rambling around in my head. I am so grateful that I have the blessing and the luxury of being able to fulfill my life dream of being an artist. I look forward to sharing with you the paths I take, where it leads me and the art that results from it all.

I wish you a felicitous New Year!

Adventures in Intaglio!

I took intaglio and woodcut back in college almost 30 years ago. Since that time I have contemplated restarting my interest in printmaking, and now I have finally pulled the trigger.

I enrolled in a printmaking course at Portland Community College. Signing up for a class two days a week for 11 weeks is no small commitment! But it turns out it was barely enough time to scratch the surface (no pun intended!) of the possibilities and complexities of this medium.

Intaglio is a process where lines are etched or scratched onto a metal plate. Ink is applied to the plate, then wiped, leaving ink captured within the lines. Then damp paper is placed on the plate, and is rolled through a printing press. The ink transfers onto the paper, creating an image. 

In total, I did three different plates over the course of the semester.The first one I did is called "The Bitter Sea" (5"x7")

Here is a picture of the inked up copper plate before the first printing:

Here is an image of the print after rolling it through the press.

Notice the image gets reversed when transferred to the paper!

This initial state of the print was done entirely with drypoint (which is simply scratching the image onto the plate with a metal object).

Here I added aquatint, which creates fields of varying shades of grey.

The second plate I developed might be called my magnum opus of the semester. It is named "Vacancy" (8"x10")

Utimately I did a total of 11 states before deciding it was finished!

I decided to utilize some of the earlier states by tinting them with watercolor. I’m fascinated by how the mood can very so greatly with different color schemes.

The final piece I did was a tiny 4”x6” image, based on a jazz record album from the 50’s, called “Struttin’”.

 Although I would LOVE to keep going with the printmaking, it is necessary for me to put it aside for the time being and concentrate on some collage painting projects coming up this year. Keep you eyes open for more news of those projects, and when they are completed, I will surely dive back into printmaking! 

Stay tuned...